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Sloft Édition 10

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Unpredictable Times

Number 11! “To resist is to exist,” as Jacques Ellul, the philosopher and thinker of technique, put it. In 2027, clinging to an independent, 100% human publication looks like a reckless bet, so certain does the world’s technological transformation seem to sweep away everything in its path. And since “technical progress does not know where it is going,” to quote Ellul once more, total unpredictability lies ahead. As for us, at the dawn of a new cycle for Sloft Édition, and perhaps a little foolishly, we will keep championing the work of creators for as long as a few clever start-up founders haven’t great-replaced them with a tool.

In this eleventh bilingual edition

  • 8 Exclusive Home Tours: So we keep championing the handmade, a source of long-term well-being. We celebrate a non-technological technique, reuse, in designer Claire Renard’s weekend house on the banks of the Loing. We look at the enthusiasm for the 1970s through an apartment designed by architect Justin Meuleman. That era carried a vision of progress that had not yet given up on hedonism, with interiors built for conviviality, as the apartment’s incredible secret bar shows. And we check how Fida and Bruno’s quirky hideaway, reimagined by Studio Tigre and Pierre-Maxence Renoult, solves every constraint of a patchwork space, with an aesthetic result that beats the best interior-design prompt.
  • An interview with visual artist Nicolas Pierre: In his own way, he too resists, intelligently, the formidable forces of economic change reshaping the Paris region. He rescues demolished buildings from oblivion by bringing them back to life as miniatures.
  • A Narrative Home Tour with painter Bryce Delplanque: A Memphis enthusiast and connoisseur of design history, he explores the idea of decor across his entire body of work. His apartment, in an Habitation à Bon Marché, one of Paris’s early social housing buildings, is conceived as a lived-in artwork: the polar opposite of a tech overlord’s vast, cold penthouse.

Eclecticism, poetry, art, escape, beauty and innovation clearly have nothing to do with square meters!

Cultivating Possibilities, Claire and Jean-Séb's Cabin, 30 sqm in Montigny-sur-Loing, France

An hour from Paris, the Loing runs along the edge of her garden. This is where designer Claire Renard found a cabin to call home, and with it, the pleasure of working with her hands.

On her first visit to Montigny-sur-Loing, damp hung heavy in the air and seeped into the cabin’s worn walls. But a river flowed at the bottom of the garden, and Claire already knew. “I was an hour from Paris, yet I felt like I was at the other end of the world,” she recalls.

While the work was underway, she started growing things. In the garden, memories of a childhood in the countryside mingle with the comfort of gestures she wants to learn again.

Here, nature gives her love of making things a material that keeps renewing itself and never goes out of style.

That ’70s Capsule, Justin’s Time-Travel Apartment, 66 sqm in Paris, France

This Paris apartment brings back the materials, colors and experimental spirit of the 1970s with real flair. More than fifty years on, the decade has lost none of its power to inspire.

He may be a child of the 1990s, but 34-year-old Justin Meuleman has a deep passion for the seventies. “The project started in 2024, when a couple I’ve been friends with since high school asked me to renovate a two-bedroom apartment with plenty of seventies influences, fittingly, since that’s when the building went up.”

Walls were taken down to let in more light, and the apartment now draws on a palette of materials and colors that defined the psychedelic era.

One welcome feature: the apartment opens wide onto a 28 m² west-facing terrace. In the warmer months it becomes a true extension of the living room, ideal for hosting friends over long, convivial meals. All that’s left is to pick the soundtrack for those evenings: Fleetwood Mac or Pink Floyd?

Pushing Back the Roof, Fida and Bruno’s Structured Nest, 38 sqm in Paris, France

Under the eaves of a classic Parisian building high on the slopes of Ménilmontant, Rodrigo Apolaya and Pierre-Maxence Renoult have shaped the volumes of this small, geometrically complex apartment with a jeweler’s precision.

The clients, a young couple with a busy social life, are friends. Fida had bought the place, very much in the spirit of a chambre de bonne, a few years earlier. But when she and Bruno decided to move in together, the layout needed a full rethink. “Two people living in 33 square meters, even without planning to start a family… it really has to look great and be well laid out!” laughs Pierre-Maxence.

The whole challenge was to distribute the functions without breaking up the space or creating a corridor effect. The multi-faceted geometry of the roof dictated where to put a mezzanine bedroom. Two large architectural pieces of furniture then organize the space and give it rhythm, while cleverly housing all the household functions.

This rigorous optimization, together with the continuity of materials (light oak veneer on the built-ins, and parquet floors), has also given Fida and Bruno room to express their creativity, their love of orange and their taste for flea-market finds… along with a generous dining room and living room where they can host all their friends.

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